ITALIAN MOVIE INDUSTRY

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popvision produces studies and researches regarding the movie business.
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popvision supply technology for their Italian business.
popvision offers services for the production and the commercial fields of this company operation in the photo industry.
MEDIA Salles, supported by the European union and the Italian Government this company promotes the European Films.
net of Invideo popvision realizes 'back stages' of european films which are published on the european movie portal cineuropa.
popvision supply smart marketing solutions for the movie industry and for portals
italian movie industry
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italian movie industry
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As part of our celebration of Italian passion, F&L Primo pays tribute to these divas of the silver screen.
Given the veneration she received from her fellow Italians, it is hard to believe that Lollo's big break came when she finished third in the Miss Italy contest.
But at no time before or since has the Italian sense of femininity ruled the popular culture both in Italy and the West as it did during the period 1945-1970 the age of the Italian Screen Sirens.
Anna Magnani picks Fellini's Roma (1972) The Rose Tattoo (1955) Gina Lollobrigida picks Beauties of the Night (1954) Trapeze (1956) Sophia Loren picks Biography - Sophia Loren: Actress Italian Style (1998) It Started in Naples (1960) Claudia Cardinale picks Il Bell'Antonio (1960) Girl With a Suitcase (1961) Bitter Roots, Bright Harvest The new sensuality exemplified by the Italian sirens sprang from an unlikely source the carnage and desolation of World War II.
The Italian film industry could not hold Claudia, just as it could not hold the sexy Italian actresses that preceded her.
italian movie goddesses passion, sex, style substance by F&L Primo The image captures the essence of the postwar Italian screen siren: Angrily rejecting her lover, an otherworldly Sophia Loren stalks down a cobbled street, throwing a defiant look over her shoulder as the camera lingers on her swaying hips.
In the face of such destruction and despair, it was natural that the movies turned from romanticism and fantasy to examine bitter truths about human nature.
italian movie industry
Like their counterparts, the Italian sirens had beauty and raw sex appeal to spare, but it was their strength as much as their beauty that set them apart even when they played damsels in distress, they did not need rescuing.
F&L Primo, is a brand new magazine from a husband and wife team who mortgaged their home and cashed in their retirement savings to create a magazine that celebrates the great gift of the Italian American heritage.
Open City sparked a movement in Italian cinema called neo-realism, so named because filmmakers were shooting films about events almost at the same time the events were taking place and because their films showed Italian society as it was, without romanticism.
Like the other great Italian heroines, when she played a damsel in distress she often rode to her own rescue.
Most of Gina's noteworthy films were made for Italian audiences; it was her beauty rather than her acting that caught the rest of the world's attention.
In each issue, F&L Primo explores Italian American experiences through the trials and successes of the famous, infamous, noble, and unknown to see reflections of parents, grandparents, and ourselves.
Anna Magnani As Germany fought to retain control of Rome in 1943-1944, Roman citizens faced a choice: submit to the conquerors or join the fight to rid Europe of fascism, in whose rise the Italians had played no small part.
Unlike many of the other Italian sirens, Anna was not enamored with Hollywood and remained at home in the Italian cinema.
Roll Credits The Italian cinema produced great beauties before and after these great sirens; in fact, if there is a successor to their mantle, it might be Isabella Rossellini, daughter of the acclaimed director who started it all and another pretty attractive actress Ingrid Bergman.
Sophia Loren's role in 1951's Gold of Naples capped her rise to stardom in the Italian cinema and launched her toward global triumph.
While Sophia Loren embodied Italian womanhood to moviegoers in the United States, Italians declared Gina to be their ideal woman, as evidenced by yet another nickname: Gina Nazionale.
how Italian women brought a new vitality to Cinema
Rossellini's Open City told the story of the Italian resistance against the Germans in the latter stages of the war.
She also more than held her own with some formidable male leads in one of the most macho movies ever made 1966's The Professionals, which co-starred Lee Marvin, Burt Lancaster, Robert Ryan, Jack Palance and Woody Strode.
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Italian filmmakers who had fought with the resistance laid down their arms and picked up their cameras to explore their country's humiliations, to challenge the beliefs that led to its defeat, and to celebrate its resolve as it crumbled and then rebuilt itself.
By fighting the Germans, the Italians were fighting to reclaim individual and national self-respect.
" Sophia Loren Sophia Loren, the greatest of all the Italian movie divas, also got her start in film in the bleak postwar years, and while some of her early earthy roles recalled Magnani's stoic characters, Loren quickly metamorphosed into a full-blown sex symbol.
The Italian screen sirens were women of astonishing physical beauty, but they were no mere ornaments.
The film is notable for another reason: It introduced Anna Magnani to global movie audiences and sparked an era in which the great Italian sirens would rule the screen.
virtualitalia.com - feature - italian movie goddesses